Bruce Springsteen Compilation CD The Lost Masters Vol 7 Soundboard

Bruce Springsteen - Volume 07 - Stockton Boy - Solo Masters Volume 1Songs 1-16: Bruce Springsteen. Acoustic home demos. Holmdel, New Jersey, January 11th, 1980.1. Everybody Wants My Baby2. Stockton Boys #13. Stockton Boys #24. Two Hearts5. Stockton Boys #36. Stockton Boys #47. Stockton Girls8. Untitled Harmonies9. You Can Look #110. You Can Look #2 Reggae version11. You Gotta Be Kind12. Down in Whitetown #113. Down in Whitetown #214. Drive All Night harmonies Bruce sings harmonies over tape of studio outtake from 1977/1978 sessions15. Down in Whitetown #316. Down in Whitetown #4Songs 17-20: Bruce Springsteen. Acoustic home demos. Holmdel, New Jersey, unknown date in 1979.17. Untitled Harmonies18. Party Lights Very similar melody to "Fade Away." On this take you can hear Bruce's girlfriend (Joyce Heiser) talk to him.19. Jackson Cage #120. Jackson Cage #2Songs 21-23: Bruce Springsteen. Acoustic home demos. Holmdel, New Jersey, July 8th, 1981.21. All I Need The same day Bruce rehearsed this song during the soundcheck prior to one of his concerts at the Meadowlands Arena (you can hear it on The Lost Masters Vol. V)22. Fade to Black #1 This is different to the 1983 home demo.23. Fade to Black #2Songs 24-26: Bruce Springsteen. Acoustic home demos. Holmdel, New Jersey, early 1980.24. Stolen Car harmonies Bruce sings over tape of band rehearsal from January 198025. Love's Gonna Be Tonight #126. Love's Gonna Be Tonight #2Mid January of 1980 was a busy time for Bruce Springsteen. He was writing songs, recording demos and rehearsing with the E Street Band, sometimes all on the same day. Restless days and restless nights seemed to be the norm. What was behind this creative burst we will never know, but the recordings that have surfaced from this time period give us a rare glimpse into the methods and creative processes behind one of the USA's most eloquent songwriters. The material that forms the basis for this edition of "The Lost Masters" falls into this category.These 1980 demo recordings are somewhat different from previous editions. Here we have many more fully realized ideas and complete song constructions, not fragments or incomplete takes. Some songs turned upon "The River" ("Two Hearts", "You Can Look...", "Jackson Cage", and "Stolen Car"). others you may be familiar with from other releases, such as "Down in Whitetown" ("Mr. Outside") and "All I Need", presented here in demo form after its amazing rehearsal version found on volume 5."Fade to Black" is different to the 1983 version and, with the exception of "Party Lights", all the others included here are uncirculated and unreleased. The "Stockton" songs are particularly intriguing and all different. It's also very interesting to hear Bruce singing harmonies over a band rehearsal of "Stolen Car". Last but not least is the Buddy Holly like energy of "Love's Gonna Be Tonight". Bruce wears his influence on his sleeve on these two takes.The wide variety of music employed on this material reggae, rock, pop, soul, balladsmakes it one of the most interesting sets yet of the "Solo Masters."